These stills come from a Mu Aye Pu City image series of 2017 and 2018. The same papers named Tay Kheng Soon as masterplanner and hitched his word Rubanisation to a “Free Enterprise Community.” Tay has not, in public, confirmed that every frame is his hand. A modest guesthouse sketch from those years credits a Mae Sot studio, not Tay. Two ideas sat beside each other.
The figures in those papers did not agree: a few acres in one version, thousands of hectares in another. The drawings never became land, or a city. Work of that kind was described as on hiatus in 2020. The landing is still a landing.









Nine frames from a longer series. They are shown as drawings. Read the history of Kawthoolei, and the place itself.